Unlike Bachchan junior, Hrithik had signed on films before the release of Kaho Naa. The failure of Abhishek and Kareena’s launch, Refugee (2000), also added to the aura of Hrithik. In this aspect, Hrithik managed to connect not only with the traditional audience (read: single screen) but also carved a niche for himself in the minds of the new generation of viewers. Hrithik Roshan in stills from Krrish, Guzaarish, Krrish 3, and Lakshya The three Khans, Aamir, Salman, and SRK, along with Akshay Kumar and Ajay Devgn, were the mainstay. Stars such as Jackie Shroff, Sunny Deol, Anil Kapoor, and Govinda were no longer able to command the same stature.
The trade was transforming thanks to the multiplexes. In many ways, there was a premonition about Hrithik and Abhishek being the last of the superstars as far as the traditional Hindi film industry could see. Pyaar Hai attached a greater sense of respectability to Rakesh as a filmmaker, and he has not looked back since then. It would not be entirely incorrect to say the success of Kaho Naa. The film had also become the biggest commercially successful film of Shah Rukh Khan’s career till that point.
He had directed some of the top names of the era, like Rekha, Jackie Shroff, Madhuri Dixit, and Anil Kapoor, and had given Salman Khan a new lease of life with Karan Arjun (1995). Up until that point, Rakesh was not really considered to be an A-league filmmaker despite having been consistently successful at the box office. Pyaar Hai left everyone shocked beyond belief. Stay tuned to Koimoi for more throwback stories.Hrithik Roshan and Priyanka Chopra in a still from Krrish 3 Hrithik asked me whether Super 30 was our second film or the third one. While working on Super 30, Hrithik and I did have a small chat on it. Speaking about the same, the actor said, “I never asked Farhan Akhtar about it. I thought now whoever will read it will take me as a liar, since I work in a medium which has lie as its base – we have fake son, fake mother, fake relationships, fake stories… But I try my best to make it look real.”Īfter Lakshya, Pankaj Tripathi shared the screen with Hrithik Roshan in Super 30 and Agneepath. If the news wasn’t out, I wouldn’t have felt so much pressure. My agony doubled, not because I have been edited out, but because this news had already been published in the newspaper. The entire film got over and I was nowhere to be seen. He continued, “Then I went to watch Lakshya at Ashok cinema hall there along with my wife. Next day news was out in the Hindustan newspaper in Patna with the headline ‘Lakshya mein dikhega Bihar ka laal’ along with a small picture of mine.” I told him about my role and about my scenes with Hrithik (Roshan). Pankaj Tripathi added, “While talking to one of my media friends there, I randomly mentioned that I am a part of it.
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